{"title":"International Gothic","description":"\u003cp\u003eInternational Gothic was a European court style that ran from approximately 1370 to 1430, the closing phase of Gothic painting and manuscript illumination. The term was coined by the French art historian Louis Courajod in the late nineteenth century. The style spread through dynastic and court networks across Burgundy, France, Bohemia, northern Italy, the Holy Roman Empire, and England, and is characterised by elongated figures, decorative line, gilded ground, and elegantly crowded compositions applied to religious, chivalric, and dynastic subjects.\u003c\/p\u003e\n\n\u003cp\u003eThe principal practitioners include the Limbourg brothers, whose Très Riches Heures du Duc de Berry was painted between 1412 and 1416, Jacquemart de Hesdin, Jean Malouel, and Melchior Broederlam in the Franco-Netherlandish circuit. In Italy, Gentile da Fabriano produced the Adoration of the Magi of 1423, Lorenzo Monaco the Adoration of 1420, and Pisanello extended the idiom into the early fifteenth century. The Bohemian court of Charles IV produced Master Theoderic and the Master of the Třeboň Altarpiece. The style fed directly into the early panel painting of both the Florentine and the Netherlandish Renaissance.\u003c\/p\u003e\n","products":[],"url":"https:\/\/symbolartgallery.com\/collections\/international-gothic.oembed","provider":"Symbol Art Gallery","version":"1.0","type":"link"}