Manuel Tolegian was an American-Armenian artist. His artistic practice is documented from the 1930s through the 1970s, with works held in institutions such as the Art Institute of Chicago and the Victoria and Albert Museum.
Tolegian's oeuvre includes diverse subjects and approaches, as seen in works like *Laughing Mannequins* (1930) and *Espejo Negro (Black Mirror)* (1936). His later output, such as *Antiqua* (1975) and *Ardoyne* (1975), further demonstrates an evolving engagement with various artistic themes.
